(the van arriving at the theatre - it has been 4 years since we were here last, and I had forgotten where to unload vans)
We got to the theatre at 9am and unloaded everything. TAO (Theater am Ortweinplatz) gave us a nice big room to put all of our stuff in. We went straight to work taking out the stage (we'd have to take out even more for Everything Falls Apart, so we thought we might as well start with the stage immediately).
Clemens and his colleagues were very fast and moved on to hanging lights and our enormous sodium lamp in no time.
We got to the theatre at 9am and unloaded everything. TAO (Theater am Ortweinplatz) gave us a nice big room to put all of our stuff in. We went straight to work taking out the stage (we'd have to take out even more for Everything Falls Apart, so we thought we might as well start with the stage immediately).
Clemens and his colleagues were very fast and moved on to hanging lights and our enormous sodium lamp in no time.
Tom went missing for about an hour - he didn't emerge from the train Beate was picking him up from, and while she searched the train for a sleeping actor, Iva phoned anyone she thought could have more information on Tom's whereabouts. Tom himself wasn't answering his phone, and after several tries we decided his battery must have run out.
Doom scenarios were constructed: did he forget to get off? If he did, where could he be? Bratislava? Further? Or did he miss the train altogether?
Four people confirmed he got on the train. Or at least left the theatre in Prague on time to make it onto the train.
Four people confirmed he got on the train. Or at least left the theatre in Prague on time to make it onto the train.
An hour and a half later he walked into the theatre.
Due to reorganisation of the train he was on, there was a delay which made him miss his connection from Vienna to Graz. As simple as that. He used someone else's phone to reassure everyone we had succeeded in worrying, and then helped us with setting up for a run through.
Due to reorganisation of the train he was on, there was a delay which made him miss his connection from Vienna to Graz. As simple as that. He used someone else's phone to reassure everyone we had succeeded in worrying, and then helped us with setting up for a run through.
The show in the evening was very full, and a lot of fun. The audience made them come back for five curtain calls. (Five!)
In the meanwhile Liz had arrived and we took her along to the festival centre for some food and drinks. (And a lot of praise from the people who had seen the show).
When we got back to the hotel, Unai arrived. He'd come from Vittoria to Graz via Palma de Mallorca.
The next morning (well, noon), we played a second show to mainly teenagers. It was great fun again.
This was our walk to the theatre:
After we finished, it was time for a lot of action. Kjell and I went for lunch while the others packed the set, and an hour later we swapped teams and I made Clemens and his colleagues take all of the seats out of the theatre.
Most of our shows are very simple and we generally don't ask for much, but with Everything Falls Apart it is quite a different story. But I think that after all of these years of being flexible and simple, we deserve to be more demanding now.
Clemens didn't seem to mind, he kept smiling and didn't ever call me a slave driver.
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