Thursday, 3 June 2010

A Bristol Sandwich - Lund/ Bristol/ Stamsund

10 - 23 May 2010

Loyal readers of the NIE blog might notice a few new authorial voices in the mix as we share out some of the blog reporting for NIE over the next few months..

After Lund we headed to Junges Ensemble Stuttgart (JES), Germany to play both Berlin 1961 and Everything Falls Apart as part of their anniversary celebrations. These went really well and the company really enjoyed seeing and meeting performers from some of the other shows in the festival.

After a days rest, NIE headed off to the UK to play Everything Falls Apart as part of Mayfest - an annual festival of contemporary theatre in Bristol. We were performing at one of our favourite UK venues, the Tobacco Factory and those who had been there before look forward to coming back.

Volcanic Ash and airline strikes did not hamper our travel endeavours so everyone got from Germany/ Belgium/ Norway/ Czech Republic to Southville in Bristol by Thursday for the set-up and get-in of the show.




Before we arrived we weren't sure how the height of the space would affect the show and if we would need to modify some bits, but once we had carried all our stuff into the space, we found ways and a spot to make Unai's scenes on the fridge work. The industrial building lent itself to the urban feel of the show, so once we had everything prepared the show looked great. Unai, Liz and Cat headed off to Bristol Radio for a quick interview explaining the show and the company.



After the get-in on Thursday we explored Bristol a bit more and saw some other shows as part of Mayfest - the ever-brilliant Will Adamsdale in The Human Computer at Bristol Old Vic studio and the massive installed outdoor performance Electric Hotel by the waterfront. Both shows are highly recommended so if you get a chance to catch them elsewhere I would get a ticket!

We had a great couple of show days in Bristol with 2 of the shows sold out - audiences seemed to really enjoy the promenade style and the story, appreciating the new ways we make shows without losing the NIE style. By Saturday night, we were once again packing up in our newly decorated van and heading over to Norway for the Stamsund International Theatre Festival next week.
www.stamsund-internasjonale.no

Posted by Cat Moore, UK producer for NIE

2 comments:

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